Profiles (newest to oldest)
Yeat for The Face’s Winter Cover: I shadowed him in Paris through Art Basel, escargot lunch, and before his penultimate Europe tour show. It’s his most expansive interview to date.
“Yeat seems like two people at once, constantly code-switching his persona between extraterrestrial and Noah the Nobody.” Welcome to Planet Yeat.
2hollis for Pigeons & Planes. It was his first profile ever and we talked about it all — his industry connections, his love of Minecraft and hardstyle, his secret past.
“Bladee was the first dude I saw who I was like, damn, you can be a rapper as a white boy and it’s not corny.” 2hollis Takes Off His Armor.
Nettspend for i-D. This is the first profile of the 17-year-old “evil Justin Bieber,” “post-post-rage” rebel. I shadowed him in the studio and after an unhinged live show.
“When I ask if he dreams of working with anyone, he’s quiet for 10 seconds before he replies: ‘Yo mama.’” Fast Times, Nettspend High.
LAZER DIM 700 for Pigeons & Planes. This is his first profile; I took the endearingly serrated rapper to get soup dumplings at my favorite spot in Chinatown. He was refreshingly raw.
“‘What is a dumpling?’” LAZER DIM 700 asks… he happily divulges his personal quirks—he hates pizza, never plays music while driving, and likes to have sex with all his clothes on. He tells me he’s into PinkPantheress; I ask if he’s tried to slide in her DMs and he gets a bashful look on his face.” Inside the Abrasive Rise of LAZER DIM 700.
Jane Remover for Business Insider. This was the digicore and dariacore pioneer’s first profile, timed right as she dropped one of the most electric albums of the 2020s, Frailty.
"One of my most vivid memories from elementary school is asking my gym teacher to play Skrillex in class while we were playing dodgeball," she recalled. Jane’s ‘Pop Music on Steroids.’
quinn for Business Insider. The digicore scene CEO opened up about her self-titled album; running away from home; jealousy; the pressures of being a young, black, transwoman artist.
“‘I'm very envious, it feels like I've been robbed,’ she said, adding that it felt like artists ‘took my influence and ran with it.’” Quinn was the young face of hyperpop until she deleted everything and started over.